Breaking Boundaries

Sanna On The Wimpy Fucker (A Transcript)

From one of Sanna’s lives:

Viewer: “What to do when your partner is a wimpy fucker?”

Two ways to go about saying No.

One: You actually physically walk away.

Two: (which was my case because I had the knowing that he was the person that was a huge turn for me, he had the potential to be my unmatch and that I actually wanted to be with him; I just didn’t want to be around the energy that he was in) You stay in your own High Feminine in that relationship, no matter what.

You do not surrender to anything.

You do not hold space for him and his wimpy fucker or his swampy feminine.

You do not do anything that is not a turn on.

You play your own game within that relationship, which ends up breaking / collapsing the container, at which point one of two things will happen.

One: He’s going to collapse and physically walk away.

Two: Your High Feminine disrupting his swampy feminine will actually activate his High Masculine and he will rise up to be your unmatch.

But it has to not matter which one it is.

You have to get to the point where you would rather be without him than surrender to the energy, and it has to not matter if he walks away.

So you have to kill the attachment to wanting him to stay.

Otherwise, you will always limit your actions, your expressions, and yourself to match him so that he will not leave, and that creates a container because there’s a limit to how far you’re willing to go, what you’re willing to say, what you’re willing to do.

Viewer: “That’s what I’ve been trying to do and he’s been getting so angry.” 

Let him get angry.

Do not hold space or go into the emotion with him.

That’s his swampy feminine getting emotional and collapsing. 

You have to see what’s happening in the energetics behind what’s happening in the physical because that is how you will be able to stay unattached to what’s appearing to happen in the physical. 

And all that is happening when he’s getting angry is that his swampy feminine is collapsing because his swampy feminine cannot relate to you in that moment because there’s nothing in the High Feminine to relate to.

Which means that he actually has to stand on his own, and the swampy feminine cannot do that.

It’s not possible for her to stand on her own.

She needs a container.

And you’re refusing to provide that container for him and his swampy feminine.

watch the full video (57:43)

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Sanna On Anger (A Transcript)

From one of Sanna’s lives:

I don’t get angry.

But that’s because I actually trust my No.

An emotion like anger, like frustration, comes because you’ve overextended your No.

You’ve surrendered even though you’ve known that the thing is a No.

And the longer you surrender after sensing that something is a No, the more unstable your energy becomes, and eventually you get angry or frustrated.

But for me it doesn’t come to that.

Because as soon as something is a No, I say No.

watch the full video (57:43)

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Trust No One (An Essay)

Ultimately,

I don’t trust anybody.

I don’t need to.

I trust my knowing.

I trust myself.

And therefore, every move by proxy.

Which is why…

I don’t require another to be ‘trustworthy’.

I know when truth is present and when it’s not.

Which has nothing to do with the person.

And everything to do with the now.

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A Collection of Sanna Quotes

  1. They have to go through fire and hell to get to you.

  2. I’m not compassionate towards illusion.

  3. It goes from a hurricane to a surgical knife. 

  4. The thrill you’re seeking isn’t a physical one. It’s energetic. 

  5. It is impossible to submit, to descend all the way, and not receive the unimaginable. 

  6. Surrender is settling for what you can’t submit to. 

  7. You’re either in a container regurgitating content, or you’re in a frame creating art.

  8. Nothing that is truly in integrity, can be contained, managed, or maintained.

  9. A leader's only ‘duty’ is to create at the edge of their own consciousness. 

  10. The more powerful the frame is, the less you have to do in the physical. 

  11. If something is true, there is no risk of it falling apart.

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Read full pieces in The Sanna Collection.

Meet Sanna.

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Obliteration Dance (An Essay)

I chose him precisely because of the density.

The grit.

For the perceived dysfunction that would highlight my own so I could erect what had long been limp.

I used him to purify myself.

To be stripped even further.

To stay until nothing was left.

From the outside, it looked insane.

And to my human, it felt like hell.

But obliteration was what I was after.

Why else would I have danced right there.

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You've Got A Winner (One Minute Clip)

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